
Timmelsjoch Experience
Project Timmelsjoch Experience Hochgurgl, Austria Architect Werner Tscholl Completion 2010
The Timmelsjoch Experience is a sculptural addition to my series on modern Alpine architecture. It is a collection of six museum-like sculptural stations that span the Timmelsjoch pass. The sculptures at the Timmelsjoch are iconic examples of Alpine architecture. Their fascinating connection to the mountainous environment is unparalleled. Each structure seems to be part of the terrain on which it is located. When arriving from Austria, you reach the sculptures piece by piece, starting at the Steg (jetty). Next, you reach the Smuggler, Transit, Pass Museum, Telescope, and finally the Granat (garnet) sculpture.
As with photographing all alpine architecture, we were at the mercy of the weather. When my assistant and I arrived at the Timmelsjoch, we were met with heavy rain. We used this to our advantage, utilizing the atmosphere that the dramatic sky brought to the images of Steg, Schmuggler, and Fenrohr. The next morning, we started at the blue hour to take some beautiful photos of the Fenrohr.
My biggest concern was the photos of the Pass Museum, which I considered the crown jewel of this project. It stands at the highest point of the Timmelsjoch Pass and was shrouded in a sea of fog.

Pass Museum
An ice-cold night under the stars of the Alps
Originally, I had planned a night shot of the Pass Museum, so my assistant Marcus and I decided to sleep right next to the museum, getting up every now and then to assess the weather and take more shots at the right time (as I had already done for my Arche Nebra project). I waited four hours, trying not to freeze to death in 70 km/h winds and icy 4°C. My desire for the perfect picture of the Pass Museum kept me from giving up. Every half hour, the cloud cover would open for a minute, and I was able to capture the deep night sky of the Alps. The stars seemed endless above the Pass Museum. To keep the building from disappearing into the darkness, I used weatherproof LED lights to accentuate the walls and give the museum a sense of three-dimensionality.
An atmospheric day at the Pass Museum
After a short night, the sun greeted us through a semi-transparent layer of clouds. The deep rays of the sun bathed the clouds in a deep orange, making the wisps of fog look like lava flows streaming down the mountain. The amount of atmosphere and mood that this created for the photos of the Pass Museum was incredible. The sculpture appears as a mysterious and otherworldly entity shrouded in warm mist. The photographs reveal the strange and mystical nature of the alpine landscape that the Pass Museum calls home.

Transit
Welcome to the Transit sculpture
After the photos of the Pass Museum were finished, we continued on to the Transit building. The dense, luminous fog was still present, enveloping the building in the same fire-like mist. The weather helped me to portray the Transit as an inviting shelter for travelers. Because the fog obscures much of the surrounding landscape, the photographs feel close and intimate. Our attention rests on the shape of the building.
Line and Form
My photos of the Transit as part of the Timmelsjoch Experience feel calm and warm. The monochrome color palette supports this mood. The viewer's eye is not distracted by superfluous information, but can rest on the lines and forms of this structure. Context such as the rock ledges and the glistening of the road are still present without being overwhelming.

Garnet
Photographing the Garnet Sculpture
The Garnet building is a little different from the other buildings of the Timmelsjoch Experience. It consists of two buildings, both modeled after garnets. The exhibition space appears as a natural, uncut geological garnet. The other cube appears more abstract. It is a polished garnet jewel that directs the visitor's gaze to the Passeier Valley and the Moos. My goal was to show how the Garnet hovers above the valley while connecting visitors to the earth.

Steg (Footbridge)
Bad weather at the Steg (Footbridge)
At the beginning of this journey, I mentioned that we encountered a lot of rain on our first day photographing the Timmelsjoch Experience. We used the bad weather to establish the dramatic sky as a backdrop for the Steg sculpture. The Steg is located right next to the Timmelsjoch Crosspoint, which houses the Top Mountain Motorcycle Museum. The Steg seems to playfully mimic the shape of the Crosspoint and juts out over the landscape. The Steg allows visitors to overlook the Ötztal mountains. I was thrilled to be able to present this station and its relationship to the beautiful peaks and valleys behind it.

Smuggler
Depiction of the Smuggler
Following the Timmelsjoch High Alpine Road further through the fog, you come to a peculiar sculpture. The Smuggler is a cube-shaped structure that can be entered through a human-shaped cut-out. Inside the structure, you can learn more about the dangers smugglers faced when transporting contraband through the alpine landscape. My goal with these images was to depict the cube itself in the harsh landscape. The steep, rocky mountainside shrouded in dense fog contributed to this idea.

Telescope
Atmosphere and Context
The Telescope station was also wonderfully photographed in the bad weather. The "telescope" offers a wide view of glaciers, valleys and breathtaking mountains. I loved documenting this structure with a lot of context and showing the two buildings perched on a ridge of the mountainside. The cloudy sky behind the structure creates an emphasis on the buildings and directs our attention to the shape of the sculptures.



Silhouettes for emphasis
Once at the Telescope, attention is focused on only one thing: the view. Darkening the structure in these photographs frames the panoramic view of the Texelgruppe Nature Park and the Passeier Valley. This reductive approach to architectural photography helps to accurately express the purpose and intention of the structure. We perceive the structure without being overwhelmed by it. The photographs allow us to experience the Telescope without having to be present ourselves.
A rewarding experience like no other
Photographing all six stations of the Timmelsjoch Experience was an adventure like no other. At the mercy of the weather, my assistant Marcus and I drove along the Timmelsjoch High Alpine Road to make efficient use of our time and photograph each sculpture in the way it was best represented. We slept in freezing cold, spent long days and nights climbing the rugged cliffs, and lugged heavy camera equipment around to make this project possible with a series of photographs that I love very much.
Equipment
Camera
1st Lens
2nd Lens
3rd Lens
4th Lens
Drone
Light
Tripod
Software
Canon EOS R
Canon TS-E 24 mm 1: 3.5 L II
Canon RF 24-105 mm F/4 L IS USM
Canon TS-E 50 mm 1: 2.8 l MACRO
Canon EF 16-35 mm 1: 2.8 L II USM
DJI Mavic 2 Pro
Profoto B10
Profoto Umbrella M Deep Translucent
Feisol CT-3441T Rapid
Capture One 21, Adobe Photoshop CC